The Unseen Workers of Parliament House

A new play, “Housework,” currently touring Australia, brings to life the personal struggles of parliamentary staff. The sharp black comedy sheds light on the often-overlooked world of those who keep the wheels of government turning behind the scenes. Playwright Emily Steel was inspired by her own observations at Parliament House in 2022 and research that revealed a stark reality: working for politics is not just demanding, but often farcical.

The play’s portrayal of chief of staff Anna Cooper, played by Emily Taheny, is particularly compelling. As a seasoned actress with years of experience portraying politicians on TV, Taheny brings depth to the role that’s both revealing and unsettling. Her character’s struggles to balance family life with her demanding job serve as a poignant reminder of the structural problems facing women in politics.

Steel’s decision not to record conversations with staff and politicians is telling. It highlights the generosity of those who shared their stories, often without realizing the impact it would have on future audiences. By preserving their anonymity, Steel protects the real people behind the fictional characters, allowing them to speak candidly about issues that are too often swept under the rug.

The play focuses on motherhood as a barrier to a political career, highlighting the need for policy changes to support working parents. Statistics show women are far more likely to take time off work for family commitments, and it’s clear that men face challenges when leaving their families behind. As Taheny notes, these issues affect not just women but also their partners.

The play’s success lies in its ability to tackle tough issues with wit and humor. Unlike some sensationalized treatments of politics, “Housework” presents a nuanced portrayal of the complexities faced by those working in Parliament House. The play avoids caricature, instead offering a thoughtful exploration of the challenges these staff members face.

Australia is grappling with questions around work-life balance, childcare, and women’s representation in politics. “Housework” serves as a timely reminder that there are unseen workers behind every politician. These staff members often bear the brunt of demands placed on them, making personal sacrifices for the sake of their job.

The play also explores social expectations around women and caring. Steel observes that “women expect different things of themselves,” speaking to a deeper societal issue – one that requires more than just policy changes. It demands a fundamental shift in how we perceive caregiving, acknowledging its value not just to families but to society as a whole.

Ultimately, “Housework” is not just a play about politics; it’s a commentary on our broader social landscape. As the cast navigates the complex web of parliamentary life, viewers are forced to confront their own biases and assumptions. The experience is challenging yet ultimately uplifting, leaving audiences wondering what changes need to be made – both in Parliament House and beyond.

Politics continues to dominate headlines, but “Housework” shines a light on the unsung heroes of Australian politics. With its sharp humor, rapid-fire dialogue, and thought-provoking themes, this production will leave you questioning not just the characters on stage but also your own role in shaping our country’s future.

The question now is: what comes next? Will policymakers take heed of “Housework’s” message, or will it remain another forgotten gem on the fringes of public discourse? As we await the answers, one thing is certain – this play has struck a chord, and its impact will be felt for years to come.